aInside the brightly-painted traditional Maltese fishing boat (or luzzu) earned by Jesmark (Jesmark Scicluna) is a footprint of a pair of children’s feet and a name. its name. This boat saw the rise of three generations of his family. Provide for the family of his father and grandfather. But now, as Jesmark stains his young son’s slippers to continue the tradition, he knows deep down that time is running out for this lifestyle. Strict new fishing regulations and a dangerous spiral of corruption mean that Gismarck is struggling to stay afloat with the burden of debt weighing on him. His pride is wounded – Luzzu boats are more than just a livelihood for the men who sail them. They carry within them the stories and legends of generations.
There are objective and other similarities with Mark Jenkins’ Corniche Collection Taste. Both address the ways in which “progress” is undermining traditional fishing societies; Both were filmed by the filmmakers associated with the site (writer and director Alex Camilleri is a Maltese American); Both are driven by the muscular originality of the central performances. In case luzoMagnetic Scicluna is a real-life Maltese fisherman and part of a mostly amateur cast. His performance is admirably complex: a tangled tangle of confrontational ostentation—the brazen confidence that earns him a lucrative job at a black market fishmonger—and the brooding self-loathing of a man who feels like a failure in the shadow of his forebears.
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